I'm a twenty something male that currently lives in Melbourne, Australia. Originally from Tasmania, I moved to Melbourne in January 2011 and have since been shooting urban and seascape long exposures around Victoria. Away from photography I'm a sucker for a nice coffee, yoyo's and a good tv series.
Last Thursday I spent the morning watching the weather forecast as a heavy pattern of rain made its way over Victoria and tried to find somewhere new to take photos. I can’t say I’ve ever gone and chased waterfalls during summer on a 35 degree day but I am so glad I did! I eventually decided to take a drive to Warburton and explore the area around East Warburton which is home to Warburton Creek and the beautiful redwood forest which I’ll look to share in a future post.
Walking around Warburton Creek was stunning even if I did take the wrong turn and walk the wrong way for 30 minutes or so in the scorching heat. Boy was it hot! But with that said, I eventually found some stunning little streams in Warburton to photograph and I was suddenly like a kid on Christmas day. It was the most refreshing feeling standing knee deep in water on a boiling Melbourne day. I just regret not taking some swimmers!
Without realising I was suddenly caught in the heavy showers I’d been watching in the weather forecasts in the days leading up. The rain was almost torrential at times which led to flash flooding in the area and difficult photography conditions. Unfortunately I didn’t get much of a chance to fire off many photos as the lens would quickly be saturated whenever I aimed in any direction.
Water droplets blurring parts of my image
With the severe weather conditions, this is what led me to photograph and process the image how I have. The plan was to take 3 images to create a vertical panorama which sort of worked. I luckily managed to get a photo off of the bottom half of the scene without any water droplets on the lens but as I slowly moved my camera upwards, a few water droplets made their way onto the camera lens. Easily avoidable if you actually stop to check your lens between shots. Oops!
Getting water drops on your lens isn’t the end of the world and just leads to some blur to parts of your image. In trying to hide the water drops, I looked to create a light burst effect through the trees. It was very much an experiment of a new technique that I’d picked up off a Phlearn video and I’d love to hear your feedback. Is it too much? Doesn’t float your boat? Let me know!
To give you more understanding to how this image was post processed I’ve put together this small clip. Hopefully it doesn’t bore you senseless but gives you more of an understanding to how the radial blur and layer masks were applied to the image. The key post processing made to the image include:
Stitching the three images in Photoshop – Quite self explanatory and more comes down to personal preference. I feel that once upon a time 3rd party tools like Ptgui owned the panorama space but now days Lightroom and Photoshop provide great offerings. I used Photoshop to stitch the three images.
Removal of distortion and levelling – Shooting with a Canon 17-40 at 17mm on a full frame body leads to some distortion being introduced to the image. I pulled this back by using the lens correction tool.
Creating light bursts – This is a mix of using the radial blur tool set to Zoom, quality set to Best and the amount set to 100. By using layer masks, I create a black layer masks (effectively disabling the radial blur) and then started to slowly re-introduce the radial blur (or light bursts) into the frame by painting over the image with the white brush. The key here was to try make the bursts look natural and coming through the trees. Once this was applied, I then looked to apply a light burst technique by Phlearn which added a nice finishing touch.
Lens flare – Wow, I haven’t touched this since I picked up Photoshop CS2 many, many years ago and was making crappy logos for my Geocities website. The intent of using the lens flare tool was to create a sense that a warm light was coming through the trees. I applied a warm photo filter over the lens flare to give a golden hour light feel to the image.
Luminosity masks – I used to be a sceptic about luminosity masks thinking they would slow my walk flow down and were people who didn’t know how to post process their images (oh how wrong I was on both fronts). Luminosity masks have been around for years and there are some great tutorials by Sean Bagshaw who explains the technique in more detail. In short though, luminosity masks allow you to make very selective changes to your darks, mids and highlights of an image. For this image, I used luminosity masks to make curves, photo filter saturation changes to small parts of the image. I love the granular control that luminosity masks give you over an image. I’m so glad I spent the time to watch Sean’s video’s and would recommend for anyone looking to further grow their post processing skills.
With fiddling back and forward I eventually ended up with the below image –
Warburton Cement Creek
Should you have any feedback on how the image was processed or questions feel free to reach out as I’d love to hear from you. The post processing for this image might not be for everyone’s tastes and was more an experimental edit for me so I’d love to hear your feedback.
In the last few years I’ve been in awe of the work by Michael Shainblum who is just one of the many people upping the game when it comes to silky clean milky way and star photographs. I have to admit, milky way photography has never been one of my strongest points and I’ll often blame the age of my Canon 5D Mark II being limited in lowlight as an excuse to not get out and shoot milky ways. With a recent trip I was keen to challenge myself with this photograph titled Under the Stars which features me, sitting on a hammock attached to a tree wrapped in fairy lights under the milky way with a fully stoked fire keeping us warm. The end photo required a few shots at varying exposures to bring it all together which I’ll look to walk you through in this post.
Challenging your in camera and post processing techniques
On a drive from Melbourne to Perth (50 hours of driving) I was keen to explore some of the night skies in the middle of nowhere and add a couple of milky way shots to my gallery. Yes, the Canon 5D Mark II struggled at ISO 3200 but unless you’re looking close, it’s not too noticeable (well I think so anyway..!)
[box type=”info” style=”rounded”]My Melbourne to Perth roadtrip post has more photos from this trip where I explored some of the best parts of Australia[/box]
This is one of my favourite photos of the trip and is something that was just a concept I was keen to try. To be honest, I didn’t think I’d be able to pull it off in getting the right exposures and post processing it correctly but I’m pretty happy with the end result.
The hammock wasn’t just for decoration and was the perfect way to kick back before the sunset
Coming up with a concept that’s outside your comfort zone and giving it a go is the only way to really push your development in hands on photography and post processing. There were other concepts that I toyed with while we were away and you know what? They didn’t come off. But it was fun taking them and giving them a try. Next time you’re planning a photography outing, why not set yourself a lofty goal and see how you go executing it? If you fail, you’ll learn so much on how to do it different next time. If you succeed, you’ll no doubt pick up on things you can do better next time while learning little techniques that you may not normally use in your normal post processing workflow.
[box type=”info” style=”rounded”]I recently bought a new travel tripod and compared the 5 most popular tripods on the market. Give my travel tripod guide a read if you’re looking for a lightweight tripod for your next trip![/box]
About the photograph
Unglamorous camp photo. I couldn’t resist and camped without my tent cover. Sleeping under the stars was something amazing
For this photograph, Under the Stars, we were camping in Pimba, South Australia which is basically in the middle of no where. As we were driving around the area looking for somewhere to set up our tents for the night, we found this secluded part located just off the salt lake and surrounded by this tree you see in the photo. Straight away we knew where we were camping for the night. It was perfect, silence that was almost eerie and skies that were darker than some of my brother’s music tastes in high school (really dark! Sorry Rich 😉 )
After shooting the sunset and then shooting the milky way down at the salt lake for a few more hours, we eventually headed back to our tents but were still keen to shoot for a while longer to make the most of the dark skies.
With a hammock already in the tree from some lazy beers in the sun earlier and the fire lit to warm up, we decided to pull the solar powered fairy lights out of the car which we had bought on the first day of our trip and neglected ever since. I knew they would eventually come in handy..!
[box type=”info” style=”rounded”]Interested in landscape photography? My guide to landscape photography shows you how to get started in this fun part of photography[/box]
Taking the photograph
The final photo was a mix of 4 images with the other 6 very loosely used where required (i.e. detail in the tree or fire)
When experimenting with an image concept I have a habit of going overboard with my image brackets. Throw in the poor performance of the Canon 5D Mark II and you have 10 bracketed images. Ok ok. I probably could have got by with less but better safe than sorry right?
There is some reasoning to my madness with the need for having 10 different images coming from:
Tree and fairy lights –With a light wind around this meant a shorter exposure of the tree and fairy lights was needed to avoid any shake. This had to be a high ISO shot to get a shorter exposure (5 sec)
Me sitting in the hammock – Trying to sit still in a hammock with no subtle movements should be an Olympic sport. Either that or I have ants in my pants. With this said, I needed a shorter exposure (2.5 sec) of me sitting in the hammock to minimise the risk of any subtle movements
Exposing for the stars behind the tree – With the plan to make this a two image panoramic (one for the scene you see in most of the frame and another for the milky way sky) it was important to bracket a shot of the stars behind the tree which would allow for a seamless alignment of the two images
Positioning the camera further up to capture the milky way – I won’t lie the milky way wasn’t directly above the tree like the photo suggests but it was close! Unfortunately it was hovering just to the right of the tree however by angling the camera up I was able to capture a frame which would later be used above three
Short burst for the fire – The plan was to capture the fire looking more natural rather than a blur of orange light. Even at ISO 25600 I wasn’t able to get an exposure short enough to get the fire how I wanted it. At ISO 25600, the Canon 5D Mark II really comes into its own with its amazing handling of noise (sarcasm intended).
Couple of extra frames for good measure – I’ve got nothing. Press the button and hope for the best for a few frames?
Bringing it all together
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I’d love to tell you that I processed this with the same level of precision like Marc Adamus in the space of 10 minutes. But in reality of me being sleep deprived after driving 12 hours the day before and not really knowing what I was doing, the edit for this photo took a couple of hours or so of extreme procrastination and trial and error.
The key elements to processing this image (after we get past the trial and error):
Bringing all the concepts together with layer masks – As mentioned earlier in the post, I shot a series of frames at different ISO levels and shutter speeds to minimise noise where possible and capture specific detail (i.e. me in the hammock or the detail of the fairy lights).
Cloning out the car – Not sure when composing that I didn’t notice a small part of the car in the frame. Whoops. A quick touch over with the clone stamp tool had it removed.
Colour grading – Sorry, that sounds wanky but it also sounds like I know what I’m talking about so let’s run with it. Colour grading was selectively applied to the image using layer masks. The intent here is to control the colour to parts of the scene which may have been affected by noise. Parts of the image where these minor tweaks were applied include adjusting the blue hues in the sky and dialling back the orange glow on the sand.
Overlaying the milky way – Dropping the milky way into the shot was either going to make or break the photo. In an effort to make it look as natural as possible, I used the bracketed image with the stars as the base image of the sky. I then used the image which had the milky way with a very subtle transition through the tree using an inverse selection.
Noise reduction – Shooting at ISO 3200 and higher does leave you with some ugly noise in parts (i.e. around the dark parts of the sand where I’ve tried to pull back some detail). Fortunately Nik Collection’s free Dfine tool works wonders for the removal of noise. I don’t apply noise reduction across my whole image and prefer to just apply it selectively to parts of the image most affected. When you are applying noise reduction, you are reducing the sharpness of the image so it’s important to ensure you are only applying it where needed to minimise any loss of sharpness.
Dodging of the scene – As I was using exposures of various dynamic ranges, there wasn’t much needed in the way of dodge and burning of the scene. With only some minor dodging applied to the fairy lights to make them appear brighter and further dodging around the fire to create the flare effect you see in the final image.
To help give you a sense of how the different adjustments were made and effected the image, I’ve put together this short clip which gradually introduces the various layers to reach the final image.
[box type=”info” style=”rounded”]If you enjoyed this post, be sure to give my Before and After series a look for similar posts[/box]
Feel free to use the contact page if you have any comments or questions about this post.
The Photographer’s Ephemeris is a fantastic tool that makes planning photographic expeditions a total cinch. No more wasted trips or missed shots due to unsatisfactory lighting or the pesky sun popping up over the horizon in the ‘wrong’ place. I rely on it quite a bit as part of my photography workflow and wanted to share a bit about the app, why its a useful tool to have and how to use it.
What is the photographer’s ephemeris?
The ephemeris? It’s connected to the thigh bone, surely?
Actually, no. An ephemeris is a chart or collection of data used to help locate the position of “celestial objects”. As far as photographers are concerned, this means the sun (or moon, if you’re of a long-exposing, nocturnal persuasion). In practice then, what The Ephemeris does is let you figure out where the sun or moon will be, at any given hour, on any given date. Don’t worry, it’s quite the mouthful that has stumped many photographers as it’s popped up into conversation with us all having a stab on the pronunciation. Just for the record, I go with ‘ef-eh-meris’ myself!
While the name and description might make it sound more like an obscure, archaic document that’s spent the last 300 years locked in a dusty university library somewhere, The Photographer’s Ephemeris actually comes in the form of both smartphone app and web-based desktop program. It takes complex astronomical data and visually displays this by means of Google Maps, making it easy to use – even for us halfwit camera-monkey like me. Here I walk you through how and why you should use it, so you don’t need to go bothering the professor for an explanation.
Who needs it?
You, more than likely. Or, at least, any photographer who cares about quality of light. Given that the word photography literally means ‘writing with light’, that’s pretty much any photographer who wants to take good pictures. That is you, right?
The Photographer’s Ephemeris is the perfect tool for capturing that last burst of light and knowing just the right spot to stand
Obviously this will be especially of use to landscape photographers. For example, a successful portrait primarily depends upon the distinctive countenance and charisma of the person portrayed, and the photographer’s ability to create a rapport with that person; meanwhile street photographers are flaneurs, lurking in the urban environment waiting for humanity to collide in quirky and ephemeral juxtapositions that are in some way revealing of our society and its values. These are one-off, fleeting moments that are difficult – if not impossible – to recreate.
As a landscape photographer, however, your subject matter may be considerably less unique.
Indeed some of the most successful and well-known landscape photographs are of locations that have been captured time and time again – both by unimpeachable masters and a hundred-thousand cack-handed amateurs alike. What makes Ansel Adams’ vision of Yosemite still stand out today is his mastery of composition and light. The Photographer’s Ephemeris is a tool to help you achieve just such mastery.
In fact, perhaps we should rephrase things: if you’re a landscape photographer then your subject is light. The landscape is just a receptacle for your subject. And if light is your subject then you need to be in control of it.
With that said, some of the greatest portraits, street shots and other iconic photographs also draw a significant part of their appeal from the succesful use of light: just think of those classic Garry Winogrand images of the aging Texan cowboy stepping onto the sidewalk, or 3 women at the corner of Vine St. They just wouldn’t have the same impact if it wasn’t for the driving beams of sunshine illuminating the concrete canyons of the North American metropolis and throwing the subjects into relief. In fact, we might well ask whether either of these photographs would have made it any further than Winogrand’s contact sheets if instead he’d rolled up 40 minutes later – shooting the same scene but in total shadow, rather than dramatically backlit as he did.
Given Winogrand’s famously haphazard and frenzied manner of shooting, however, I think we can safely assume that at no point did he ever bother to consult a sun-chart. Nonetheless, this doesn’t mean that you shouldn’t. Certainly there’s little point in descending upon a potentially rewarding street corner only to discover that the last ray of sunlight disappeared over the rooftops a good half an hour earlier just because that’s what Winogrand might’ve done (he also died leaving behind thousands of undeveloped rolls of film he shot of random women out of his car window, you want to try that too?).
Why should you use the photographer’s ephemeris
Needless to say, for anyone hoping to capture light at exactly the height and angle they want it, the ability to pick the right time and day to be in a certain location offers an enormous advantage. Instead of repeatedly having to drag yourself out of bed at obscene hours of the morning in the vain hope of encountering that perfect sunrise, you choose your location, check for the auspicious alignment of “celestial bodies”, and set your alarm. Job done.
Catching the golden hour light up Flinders Street which only lasts a few minutes before disappearing between the buildings
And your somewhat less-than-celestial body likely gained an extra half-hour under the bedcovers. I’ve used it for a few photo shoots including one of the light shining up Flinders Street just before it dips beneath the buildings. Knowing the timing of when the light would be at the right level before it dipped was crucial to getting Flinders Street Station lighting up with that golden hour light that we all love.
Alternatively, you can just keep doing it the way you’ve always done: standing in the middle of nowhere for 60 minutes of subzero twilight waiting for the sun to finally drag itself over a mountaintop, only for the light to totally miss the subject of your photograph when his celestial highness finally does rise anyway because you came way too early in the year.
What the photographer’s ephemeris helps you with
When shooting on a salt flat with not much in the way of composition, it’s great to know where the sun is going to set and burst
You’ve found the ultimate location, scouted the perfect vantage point, pre-visualised the composition and selected the right lens. All you need now is the weather and the light. Unless you’re that omnipotent dude with the beard and staff, or happen to be with the CIA, then there’s likely not a great deal you can do to control the former. The light, on the other hand, is largely just a matter of careful planning.
Planning your best sunrise and sunset locations
Got a location in mind for a stunning sunrise or sunset shot but want to check that it really is pointing in the direction you think it is? The Photographer’s Ephemeris will save you from a wasted trip. A great feature of the photographer’s ephemeris is that it also allows you to simulate different dates and times which works well for locations where the sun may be rising or setting at a different angle depending on the earth’s axis.
Chasing that keylight and backlight
When it comes to photography there’s really no right or wrong type of lighting, rather there will just be some qualities of light that are more or less appropriate for the particular shot that you’re trying to achieve.
Waiting for that burst of light up Greville St, Melbourne. Rather than wait all day, I just plugged the location into The Photographers Ephemeris iPhone app and knew what time to arrive
Many, if not all, serious photographers often have a preconceived idea of what they want an image to look like long before they get anywhere near to shooting it. This will frequently include plans regarding lighting. Clearly, if you’re this meticulous about the light in your photographs, and have a set idea in mind, you absolutely do not want to spend time and energy trekking off into some remote wilderness only to discover that nobody called the sun to inform it of your plans ahead of time. For this reason, The Ephemeris can be indispensable.
Indirect light
While missing the light can be a real disappointment, finding a scene speckled with stray sunbeams when you were hoping for a flat, contrast-free location in which to shoot can prove equally frustrating. Indeed, predicting precisely where the sun will hit is one thing, but sometimes you may want to avoid direct sun shining on the subject altogether – but still with a beautiful glow of soft yet directional light reflecting in from the sky.
Getting a soft light is key for waterfall photography
Just waiting for dusk to fall will not produce the same effect, so you’ll need to identify a point at which your location will succumb to the shadows caused by obstructions such as mountains or buildings, yet before the sun goes down. Indeed, The Ephemeris is probably just as valuable for its ability to show which areas of a locality will be without light as it is for indicating those with.
[box type=”info” size=”large” style=”rounded”]Knowing when the light will be dim works wonders for waterfall photography. My guide on waterfall photography goes hand in hand with this guide to capturing the best light[/box]
Using the photographers ephemeris
I know what some of you are thinking: “What do I need this for when I have a compass on my phone and Google Maps clearly shows where north is? The sun rises in the east and sets in the west. Easy!”
Sure, assuming you only need to gain a rough sense of where the sun will be positioned, your compass or map will do the job just fine. But there are many situations where the success of a shot will depend upon the light hitting a precise feature within the landscape, and at a particular angle. Without even getting into complex shots of incredible natural phenomena, lets just look at a very banal, easy to understand example: someone standing at a window with a nice backlight.
Let’s pretend for a moment it’s April where ever you are in the world when you first spot the location. Inside, the room is exactly what you were looking for. Outside, the view is even better than you’d dreamed of. It’s perfect in every way.
Or at least it would be if it wasn’t for the fact that the building opposite blocks all sunlight from entering the room and illuminating your model, and there’s no sign that this situation will change later in the day.
Getting the right timing as the light pokes through the buildings of Sydney
Checking on the The Photographer’s Ephemeris, however, you can see that it would be worth coming back to shoot in late May, as by then the sun’s path will be sufficiently high to clear the building opposite and beam down through the window for over an hour each morning, allowing you to get the photo you wanted. Conversely, you can see that if you leave it until June before returning to shoot, the sun will already be too high in the sky and only briefly enter a few inches into the room before passing directly overhead.
Now imagine that you’ve seen some spectacular limestone rock formations, with holes in, allowing a view across the plains to a mountain peak. You have the idea to line up the sun, the peak and the holes. But is it possible? The Ephemeris knows.
How Does It Work?
Save and sync your locations between the desktop and mobile apps of The Photographer’s Ephemeris
Begin by choosing a style of map suitable for your subject (i.e. either regular Map, Satellite/Hybrid or Terrain). Now search for a destination you’re interested in shooting and drop a red pin right on your location. This screen gives you the ability to simulate where the sun will be at a given time, objects that may get in the way (i.e. a large rock stack) or even show you the shadow length that an object like a large rock stack may create.
The Photographer’s Ephemeris is a powerful tool and I must profess that I’m only covering off the very basics in this post. The tool is capable of a lot more including a night mode which allows you to track the milky way and integrates with Skyfire which gives you sunrise and sunset forecasts to help you in finding the best location to photograph the sunrise or sunset. How good is that?! Rather than complicate this post, I’m going to cover off the basics with the next few points.
Bookmarking your favourite locations
Locations can be bookmarked, so you can come back to them later: for example, as you’re sitting down for lunch planning your shoot for the afternoon you can quickly recall your saved location and check for the ideal date and time to shoot. If it’s not looking the right light, just keep scrolling through your list until you find somewhere that will be ideal based on the conditions of the day.
Simulating the sun at different times of the year
Finding the right light angle at Cape Schanck, VictoriaGolden hour light hitting Cape Schanck
Choose a date from the calendar and then scroll across the timeline in order to see the trajectory and angle of light on your location at any particular moment during the day (or indeed night). This feature works well for photographing locations like my photo from Cape Schanck to the right. It was important to get the golden hour light shining on the rocks at the right angle. If I were to have photographed this at other times of the year, I would have had a harsh shadow of myself appearing in the frame. No one wants to see my ugly shadow in the frame 😉
Planning for obstructions that may block your light
Dropping a second, gray, pin displays geodetic data (i.e. info about the shape of the land, elevation etc.). This feature is extremely handy, as it allows you to work out if, say, a mountain or other geographical feature might potentially block the sun from illuminating your location for a further period of time after the sun has already risen and is shining everywhere else.
Once again, if you enjoy shooting in diffused light, The Ephemeris will allow you to plot the ideal time to start or finish work at a shortlisted location, before unwanted rays of strong direct sunlight start creeping into the shot. Move the timeline to see where shadows will fall, and from which angle, at any given time of day.
Simulating what effect the shadows may have on a scene is easy with The Photographer’s Ephemeris
Given the relative difficulty of estimating for yourself just how quickly shadows will grow or begin to disappear, perhaps the most important feature here is the app’s ability to display how long or short shadows will be at any particular moment. For example, if you’re a shooter that is looking to use the shadows to your advantage with a scene then having this feature can be a great one to have. Occasionally I will use it for my photography to help understand when the light will even out and give a flat exposure to my camera.
[box type=”info” size=”large” style=”rounded”]Interested in getting into long exposure photography but stuck for ideas? Give my long exposure photography ideas post a read![/box]
Closing out
The Photographer’s Ephemeris is a great time-saving tool for photographers across the board. While it will be particularly useful for those who shoot landscapes, it can also come in handy for photographers working in many other areas too.
While not a critical tool that every photographer must use, it is definitely one which photographers should know about and have up their sleeve. I’ve found it particularly useful when planning to photograph a location I’ve not visited before and looking to ensure I make the most of my time there. A great example of this was from a recent trip driving from Melbourne to Perth where we were visiting locations for the first time and was looking to ensure we were maximising our sunrise and sunset locations.
Indeed, for anyone planning a complex shot that relies upon precise natural lighting conditions, The Ephemeris will likely prove indispensable. By dropping a pin at your intended location you can quickly establish whether it offers the kind of light you’re looking for when you need it. If not, it’ll either be a case of choosing another date and time, or opting for a different location entirely. Either way, with The Photographer’s Ephemeris you can be sure that there will be no nasty last-minute surprises when planning a shot.
If nothing else, unless you’re a chronic insomniac, an amphetamine addict or a parent of small children (in which case sleep is anyway but a distant memory), you will likely appreciate the ability to set your alarm at a more convenient hour when shooting at sunrise.
Hope this guide has been useful! If you have any queries, please don’t hesitate to reach out and drop a line. Always happy to help!
After putting together a list of my favourite Tasmania photography locations back in 2009, I thought after 5 years of living in Victoria it was time to start developing a list of great photography locations in Victoria. This list provides you with 56 locations around Victoria to photograph and is constantly being updated as I get out and explore more.
This list of photography locations is by no means definitive and something I’ll be building on over time. I feel like I’m barely scratching the surface which is what I love about Victoria. As I write this, there’s a few locations I’m kicking myself for not photographing but has given me a good spur of motivation to get out more.
For the moment though, these are some of my favourite Victorian photography locations which may be of interest to tourists coming to Victoria or locals looking to explore their backyard. Hopefully there’s a surprise or two for you! I’ve tried to mix of Melbourne night photography locations and seascape and waterfall photography locations following.
Feel free to leave your favourite photography locations in Melbourne or further abroad in Victoria that may be missing in the comments. Would love to add them to the list 🙂
Melbourne CBD & Inner City Locations
One thing that Melbourne does best (sorry Sydney we have you here but you beat us with your coastline) is its great city. Its no coincidence that Melbourne has been named the world’s most liveable city twice in a row largely due to a diverse offering of international sport, food, coffee and art. It really does live up to the hype with its awesome cityscapes.
For anyone travelling to Melbourne and looking to somewhere to photograph, Flinders St Station is the first location that comes to mind. Conveniently located on the corner of a busy road, Flinders St Station is an ideal spot for night photography to capture long exposure photographs with the traffic of trams and cars passing by.
The best time to photograph Flinders Street Station is around sunset and into blue hour as this gives you two nice options to photograph with the light shining up Flinders Street lighting up Finders Street Station a beautiful yellow/orange before the sun disappears behind the buildings. As the light fades and the blue hour light comes out, this gives you some nice options to capture the blur of the car and tram traffic passing Flinders Street Station from different angles.
Stepping into Melbourne’s China Town is quite like stepping into parts of Asia when walking down lane ways. While it’s obviously a great place for yum cha and dumplings, it’s also an interesting part of the city for photographers looking to photograph some grungy lane ways and practice their street photography skills with the restaurants and lane ways making good backdrops.
Batman Ave Overpass
LocationBatman Avenue makes a great spot for long exposures looking back towards the city
I’m always a little amused by Melbourne being called Batmania in tribute to it’s founder, John Batman before being soon named to what we know it as today – Melbourne.
This overpass is named in tribute to John Batman and is one of my favourite overpasses to photograph in Melbourne.
The Batman Avenue overpass is located above the City Link entrance to Flinders and Exhibition St in Melbourne. This makes it an ideal spot to capture the constant flow of traffic entering and exiting the city. The overpass itself is quiet and has some light foot and bike traffic but nothing to worry about.
During AFL season, foot traffic increases as people use the overpass to cross to the MCG. Once again, nothing to worry about but just something to be conscious about if planning to shoot here when they’re expecting a 80,000+ crowd at the MCG on a Saturday night.
Docklands is conveniently located just near Etihad Stadium and is accessible via tram or a short walk from the inner city. Victoria Harbour is a nice location to photograph on sunset/blue hour as the water is generally calm which makes for nice reflections. My favourite location to photograph in Victoria Harbour are the pylons with the little white hats which come up great with a long exposure.
If pylons with funny little white hats aren’t your thing, there’s plenty of modern architecture in the area to photograph. With the constant flow of cars and trams, you’re bound to get a nice long exposure with traffic passing by in the foreground with one of the more interesting buildings in the backdrop.
After Flinders Street Station, this angle of Melbourne would have to be up there with one of the most popular and there’s no guesses to why. Best photographed on sunrise to capture the golden hour light hitting the city skyline, the slight elevation from the view allows you to avoid the busy crowds of Southbank.
Located only a short walk from Flinders Street Station, the Morell Street Bridge is a pedestrian crossing between the Botanical Gardens and MCG. The bridge provides a nice view up the Yarra River with the city buildings making a nice backdrop.
There’s also more bridges further down the Yarra River but I find the view of the Melbourne skyline doesn’t quite compare to the Morell Street Bridge view.
The Yarra River is a great Melbourne night photography location which presents many options for photographers. The best time to visit the Yarra River is on sunset with a walk from the Crown Casino to Birrarung Marr. You’re bound to get some nice reflections of the towering buildings as you make your way up the river.
The Birrarung Marr pedestrian bridge is a great spot to take up-close photographs of the Melbourne skyline. The old wooden bridge has plenty of character and works as a great leading line to direct your viewers eyes to the city of Melbourne. My favourite time to photograph the Birrarung Marr Bridge is just before sunset so you can capture the golden hour light hitting the bridge.
Once you’ve finished photographing the Birrarung Marr Bridge, keep walking to the Batman Ave overpass for some traffic long exposures or down to the Yarra River for some reflections of the Melbourne skyline. Both locations are conveniently located only 5~ minutes walk from the bridge and look great on sunset or into the blue hour.
The Webb Bridge is located along Southbank and makes a great spot to add to your list of places to stop and photo as you wander through the Melbourne CBD. The Webb Bridge provides a few different angles to photograph it from whether it be from outside the bridge (as captured above) or inside the bridge capturing the detail of the ‘webb’. A great spot to shoot at night time when the Yarra River is calm and the lights of the Webb Bridge turn on.
If you haven’t picked up already, I’m a sucker for overpasses and interesting architecture. St Kilda Road is worth a wander if you’re staying in the area and looking for an overpass to photograph late at night. My favourite is the Bowen Crescent overpass which sits just off St Kilda Road. A nice overpass to shoot that always has a constant flow of traffic.
St Kilda Pier is a popular spot for tourists looking to enjoy St Kilda Beach and the local area penguins at dusk. Of a weekend the pier can be challenging to photograph with all the people especially during summer.
If you’re looking to avoid the people, I’d recommend photographing on sunrise or if you enjoy your sleep too much, do what I did for the above photo and use a neutral density filter to capture a long exposure and blur the movement of people out of your frame to create an empty scene. Works a treat!
Running in early March around Labour Day, Moomba is a summer festival located along Melbourne’s Yarra River. The festival is a great opportunity for fireworks photography with the event having nightly firework displays at 9:30. The Melbourne city is a great backdrop for the fireworks and makes it well worth a visit if you’re in Melbourne around this time of the year.
The crowds at Moomba can get hectic so if you can, plan ahead and arrive at your location in advance so you can get a good view of the fireworks before the crowds flock.
[box type=”info” size=”large” style=”rounded”]Travelling to Melbourne and need a lightweight tripod for the trip? I’ve reviewed 5 of the best travel tripods[/box]
Melbourne is home to a vast public transport system. The train stations are fun places to photograph long exposures of trains passing with the city as a backdrop. Some of my favourite stations include: Parliament Station (long escalators here are great), Hawksburn Station, Richmond Station and Jollimont Station.
It’s worth noting that Metro Trains have some rules around taking photos in train stations. Generally handheld photography is fine (provided you’re shooting from a safe distance) but you cannot use a tripod unless given a permit by Metro Trains. From my understanding, getting a permit for hobbyists is pretty straight forward. It’s more if you go down the path of getting a permit for commercial photography or video is where it becomes a bit more difficult.
The Shrine of Remembrance is Victoria’s war memorial and an iconic landmark in Australia. Conveniently located only a short tram ride from Flinders Street Station, the Shrine of Remembrance has a few different options for photographers with the old architecture, views back towards the city skyline and the eternal flame.
If you’re looking for somewhere to photograph after, keep walking towards Morrell Street Bridge for a photo looking back towards the city and then keep walking towards the AAMI Park overpass for a night shot of one of the world’s more unique sports stadiums. A nice way to kill a few hours in Melbourne.
A post about places to photograph in Melbourne wouldn’t be complete without a mention of Melbourne’s alleyways. Melbourne is renowned for its street art filled alleyways which can be found throughout the city and inner city suburbs. Some of my favourite laneways in Melbourne are Hosier Lane, ACDC Lane, Caledonian Lane and Union Lane just to name a few. You won’t struggle to find a good laneway with street art in Melbourne.
The Melbourne Rectangular Stadium (or AAMI Park as it’s commonly and commercially known), is one of the world’s more unique sports stadium and sits in Melbourne’s ‘sport and entertainment precinct’. The building is best photographed when there is a sports event on and the building is lit up and if you’re lucky, fireworks are being let off as a team kicks/scores a goal/try (depending on which sport is on..!)
My favourite spot to photograph AAMI Park just off the Main Yarra Trail near the Morell Street Bridge which gives you a nice angle of traffic entering the Citylink tunnel and the stadium in the background. Well worth a visit if you can time it around a sports event on that night.
Princess Pier located in Port Melbourne is a popular spot for long exposure photographers. The iconic pylons make a great composition for long exposure photographs. One thing I really like about the Princess Pier is that it works well for different weather conditions. On a sunny night, the light bursting on the horizon can create a great effect. If there’s a bit of cloud in the sky, a long exposure capturing the blur of the clouds passing above the pylon’s can also look great.
If you’re planning on photographing the popular Princess Pier location, I’d recommend finishing the night out with a quick photo of the Port Melbourne Pier. The lights on the pier work really well for a night time shot.
Located not far from Port Melbourne is the Ingliss St overpass. This is one of my hidden gems around Melbourne as it’s not as commonly shot as the Sturt St overpass (below) or Batman Avenue. Like all inner city overpasses, this has a constant hum of traffic and makes a great spot for long exposure photography or timelapse if you’re keen.
If you’ve followed my blog or Instagram, you’ve no doubt noticed that I have a small love affair with overpasses. It’s what makes Melbourne special. You can go to an inner city overpass late at night and there will always be a constant hum of traffic. Compared to my home of Hobart, you’d be waiting a few minutes just for a pass to drive through in the early hours of the night.
Located on Yarra Bend Road and overlooking the Eastern Freeway, this overpass gives you a curved view looking back towards the city. While not my favourite overpass in Melbourne (is there anything wrong with being an overpass snob?), it always has a steady stream of traffic flowing in and out of the city so is worth a visit if you’re in the area and eager to take some long exposure photographs.
As Melbourne is quite flat, this limits your options when trying to find elevated vantage points that look back towards the city. One of my favourite locations that isn’t obstructed by buildings is Ruckers Hill in Northcote. Ruckers Hill makes a great Melbourne night photography location with its Melbourne skyline view and passing trams which work great in a long exposure.
By the Sea
An ongoing list which I hope to update over time. For the moment though, below are a handfull of locations that I’ve photographed that don’t fit under some of the other groups (Mornington Peninsula, Great Ocean Road, etc).
Ricketts Point in Beaumaris is one of my favourite sea locations to shoot in Melbourne. The markers on the point make it one of the more reliable locations to shoot a sunset in Melbourne. Whether it be a sun burst on the horizon through the markers or just moody sunset clouds above, the location works well for most conditions and is worth a trip if you’re staying in Melbourne and can’t venture far.
Located 90 minutes from Melbourne, the ruins of an old jetty at Clifton Springs are a popular location for photographers looking for a good long exposure composition. The location is best photographed on a high tide when there is some water movement around the pylons. Clifton Springs is a great spot if you’re in the area but I wouldn’t go out of your way if your time in Victoria is limited.
Being close to Bells Beach, the home of Australia’s surfing world tour event, Jan Juc is a great location for both photographers and surfers looking for consistent swell. I’ve only photographed Jan Juc the once but would love to re-visit. Highlights for me are the consistent swell, surrounding cliffs and rock ledge on the point. Well worth a visit if you’re passing through and looking for somehwere to photograph on dusk (just like we did on a trip down The Great Ocean Road).
Mornington Peninsula
Moving from Hobart to inner city Melbourne, the one thing I quickly missed was being by the sea. Luckily the Mornington Peninsula isn’t far from Melbourne (1hr~) and has some diverse coastline to photograph with lots of jetties, interesting rock formations and plenty of swell.
The Peninsula is quite unique where you have Port Phillip Bay on one side which for the most part doesn’t get much in the way of swell but is still worth a visit for its jetties and little bays. On the other side you’re fully exposed to the raw ocean of the Bass Strait which always has some swell kicking about.
If you’re pressed for time, I’d recommend stopping by Cape Schanck, Rye Backbeach and the Sorrento jetties. I love London Bridge but it can be a bit hit or miss with the swell and limiting. On a low tide it’s great as you’re able to walk around the rocky outcrops which gives you more variety to photograph than just being limited to the London Bridge.
Travelling down the Eastlink to the Mornington Peninsula at night time, its hard to miss the hotel on the city-bound side of the road as you make your way down. I’ve written about the Eastlink Hotel and its origins in a previous post. A fun spot to shoot as you make your way back to Melbourne after sunset.
Flinders Blowhole has quickly become one of my favourite locations to photograph the sunrise on the Mornington Peninsula. This is largely due to the location giving you a great vantage point of where the sun rises from but also has some interesting compositions available to photograph.
At Flinders Blowhole you have a few interesting options to shoot. These include:
View from the main lookout at the top overlooking the bay
Rock shelf reflections
Walk left from the main rock beach around to the next little bay which has lots of little rock ledges and little rock beaches to photograph
This location is best photographed on sunrise.
Cairns Bay
LocationWatching the milky way rise above Cairns Bay
Located not far from the Flinders Blowhole, Cairns Bay is a 1km walk into an open view of the ocean and cobble and grey boulder beaches.
From experience, this location works best above from the lookout with a long lens. If shooting from the sea level, the rock face can be quite over powering and block out light from the sun setting.
Cairns Bay also makes a great spot to photograph the milky way rising above the ocean. Just be sure to plan it through an app such as Photo Pills to make sure it’s rising in the correct spot.
Point Leo is located on the Western Port Bay side of the Mornington Peninsula and features an old jetty that works great for sunrise and milky way photos.
Unfortunately the photo above doesn’t do the jetty justice due to being a side on photo but it’s well worth a visit!
Bridgewater Bay (Blairgowrie)
LocationBridgewater Bay also makes a great spot for milky way photography
Bridgewater Bay is one of the best seascape locations on the Mornington Peninsula. With the big rock formation to the end of the Bay, this provides plenty of different options depending on the tide levels.
If photographing on a high tide, you generally can’t get very close to the rock but this creates nice opportunities of the water rushing into the shore (like the above shot). If you’ve timed it for a low tide, you generally can get quite close to the rock and also get further around the headland to capture different angles of the rock. Obviously be careful with the swell as it can get quite big and unpredictable down here.
The location also makes for a great milky way location to capture the milky way rising above the rock formation.
Note that in summer Bridgewater Bay is a popular spot for swimmers especially people jumping off the rock.
Pirates Bay is a lesser known and photographed part of the Mornington Peninsula. The location is best suited for photographing down at sea level with the water hitting the little bay (as above) or from above at the cliff level when there’s a lot of surf like in the photo to the right,
Pirates Bay is best accessed from the Bridgewater Bay carpark. Walk to Bridgewater Bay along the cliff track. Rather than stop at Bridgewater Bay, continue walking and you will eventually end up at Pirates Bay.
This location is best suited for sunset photography.
London Bridge is located towards the end of the Mornington Peninsula and is known for its large rock formation. The London Bridge is best shot on a low tide when the rocky outcrops further up become accessible and opens up more options.
Sorrento and Portsea have some great little private jetties which work well for long exposure photography. As these are private jetties, you can’t walk on some of the jetties however they still give plenty of options if shooting from the beach with a side profile. One of my favourites is Shelley Beach which is featured above and is a discrete jetty not far from Portsea.
Sorrento backbeach is one of my favourite backbeaches to photograph along the Peninsula. Being a 1.5km~ drive from the Sorrento shopping precinct, we’ve often headed down in day light savings when the sun sets later, grabbed something for dinner and headed towards the beach lookout to watch the swell roll in.
There’s quite a few options at the beach to photograph including rockpools on low tide, stairs to enter the beach (as to the right) and an interesting rock formation on the point just near the carpark.
Cape Schanck is my favourite place to photograph on the Mornington Peninsula even if I do have a love hate relationship with the place! Sitting at the southernmost tip of the Mornington Peninsula, Cape Shanck sits between the entrance to Port Phillip Bay and the wild ocean of the Bass Strait. As far as seascape locations go, it doesn’t get much more raw than Cape Schanck on a windy afternoon with the swell of the Bass Strait thundering through.
Some of my highlights for Cape Schanck:
Cape Shanck Lighthouse – The lighthouse makes a great backdrop against the wild coastline of the area. Being located near the carpark, we’ve stopped a few times on our way back to the car after sunset and captured a moonlit photo of the lighthouse. With the strong beam of its lantern reaching a range of 26 nmi (48km) the beam creates some interesting opportunities after dark with a long exposure under the stars
Pulpit Rock – Eroded slowly over the years, Pulpt Rock is an iconic rock formation that stands tall and is uniquely separated from the mainland by a wild sea channel. While you can’t physically get onto Pulpit rock, you can get some great photos of the rock with the waves crashing around it. Every photographer needs at least one photograph of Pulpit rock in their portfolio!
Pebble beach – As you make your way down to Pulpit Rock and leave the board walk, you’re immediately greeted by the black boulders in pebble beach. As the water rushes across the stones they develop a vibrant shine which comes up well in photos
Rock pools – Having photographed Pulpit Rock many times, I was keen to explore the area further and find some unique compositions. Walking down towards Pulpit Rock, continue walking around the headland and you will come across stunning rock pools with beautiful blue hues. Just a word of warning, the rock pools are quite deep so don’t forget a head torch if you’re planning on shooting these on sunset and walking back in the dark. Not a place I’d be rushing back to the car from. Slow and steady!
This location is best photographed on sunset or sunrise during winter.
Located at the end or the most western point of the Mornington Peninsula, Point Nepean is a beautiful but challenging location for photographers due to the restricted beach access (due to unexploded mines, etc). You are generally limited to photographing at the road/cliff level which can still work OK for photographs depending on the conditions.
Access to Point Nepean is limited and does require a bit of walking to get to the fort area (as pictured above). The carpark is open between 10 AM – 5 PM during the day and is around a 2.5km walk (each way) from the carpark. If you’re visiting outside of these hours, you will need to park further outside of the national park and walk further (5km~) each way.
If you’re looking to capture an image of the milky way rising like the above photo, generally the best time to visit is between early to late April when the milky way rising lines up perfectly.
Rosebud Pier is a nice spot to photograph if you’re short on time and need to fire a frame off. I’ve photographed it a few times when I’ve been running late to photograph the sunset and needed to find somewhere to pull over and get a photo of the colour in the sky before it disappeared.
Rosebud Pier can be quite busy especially around summer so bear this in mind if you’re looking to photograph the pier without people in it. Although there’s always long exposures to hide the people like I talk about in my long exposure photography idea’s post!
Dragon’s Head is located at Number Sixteen Beach, Rye and is a popular location to photograph on sunrise. You may have to get your feet wet to get upclose like I did from my morning at Dragon’s Head but the results are well worth it.
This location is best photographed on sunrise during winter.
We’re incredibly lucky to how much variety the Mornington Peninsula has to photograph. Pearses Bay isn’t one of my favourite places to photograph but at the same time, I appreciate some of the various options available to photograph including:
Photographing from the cliff tops as the swell hits the cliffs
Capturing the many streams of water flowing to create waterfall like effects (as above)
Ignoring the fact that there is a nudist beach right around the corner 😉 Sunnyside Beach down Mount Eliza is a great spot for sunset photographs. Being on the bay side of the Peninsular, you’re not going to get much swell come through unfortunately but with that said, the lack of swell does mean you get some nice reflections like the above photo.
Situated on the bay side of the Mornington Peninsula, Ranelagh Beach is home to some of the many beach huts you will find when travelling down to the Peninsula.
The beach huts can be photographed from many angles including:
Looking between them (similar to the right)
Standing knee deep in water looking back towards them as above
Using a drone and photographing them from above
Unfortunately there isn’t much swell at Ranelagh Beach to play with different water effects of waves crashing, etc due to it being situated on the bay side of the Mornington Peninsula.
Facing the Port Phillip Bay side of the Mornington Peninsula, Mt Martha doesn’t get much in the way of swell.
Walking along the the small rocky beaches, you can’t help but think of the possibilities with water rushing over them. You’re best visiting Mt Martha when there”s some swell on the Bay which brings some of these rocky ledges to life.
Once upon a time, photographers flocked to Oliver’s Hill to capture the iconic jetty. It wasn’t unusual for a few photographers to be at the location on sunset photographing the jetty. I feel bad for leading you astray with a photo (the above) of the old jetty but hey! It’s nice to dream 😉
In 2016, this changed with the jetty being pulled down and replaced with a new jetty. Still worth a shot but not as great as it once was.
This location is best photographed on sunset.
Great Ocean Road
The Great Ocean Road needs no introduction. Known for its stunning coastline and inland waterfalls in the Otways, the area is truly the perfect playground for a landscape photographer. I feel like I’ve only touched the surface of the Great Ocean Road but hopefully the photos I do have make a good reference to what can be seen on the Great Ocean Road.
Marriners Falls is just a small drive from Apollo Bay on the Great Ocean Road. Unfortunately the track for Marriners Falls is now closed due to trees falling over and making it dangerous. However I’m sure you’re able to find a track if you look hard…
If you are making the walk in, be sure to pack at least gum boots or if possible waders for this one as there’s a 3-4 river crossings to be had before you make the main waterfall. Be safe and watch for falling tree limbs on windy days.
Not to be confused with Steavenson Falls in Marysville, Stevenson Falls is located in Barramunga as you make your way down the Great Ocean Road via the in-land route. Often Stevenson Falls is over-shadowed by the more popular waterfalls such as Hopetoun and Beauchamp Falls but is well worth a stop with its 15 meter drop.
The waterfall is spectacular and has a few different compositions to photograph:
Side on from the tourist lookout located at the end of the walk into the waterfall
Front on to the waterfall (you might get your feet wet a little bit!)
From the other side of the river if you’re game enough to cross the river. Definitely do-able if you have gumboots or waders.
Hopetoun Falls is by far my favourite waterfall in Victoria. Located in the Great Otways National Park, Hopetoun Falls is a short trip from the coastal surrounds of the Great Ocean Road. Upon entering Hopetoun Falls, it has a similar impact to Russell Falls in Tasmania with its wow factor.
The waterfall is stunning and has plenty of angles and options for someone looking to get their own unique take.
If you’re in the area photographing Hopetoun Falls, I’d also recommend driving another 15 minutes and spending some time at Beauchamp Falls.
Surrounded by beautiful green foliage, Beauchamp Falls is quite confined compared to Hopetoun Falls which does limit you in your angles you can photograph from. With that said, you’re bound to get something nice from the angles you can photograph from.
[box type=”info” size=”large”]Keen to get your feet wet? Give my waterfall photography guide has some tips![/box]
Located just under 3 hours from Melbourne, Apollo Bay makes a good stop over town for those wanting to split their drive up from Melbourne. Apollo Bay Beach makes an ideal spot to stop, grab some food from one of the many nearby shops and enjoy a quick bite before taking photos. Apollo Bay has a few options to shoot including the lush beach and the rocky point further down the beach.
Wye River is the perfect town for those looking to avoid the crowds and have a stop over on their way down the Great Ocean Road. Located 35~km before Apollo Bay, the town of Wye River was devastated in the 2015 bushfires when 95 houses were burnt down. Even more reason to stop and get around the town!
The Wye River area is beautiful and gives plenty of options for you to photograph including the canal that runs off the main beach, a rocky point and jetty ruins. I’ve shot the area under differing weather conditions from overcast skies to star filled skies and have always managed to find something to photograph. Wye River is well worth the stop if you’re looking to add a stop over on your way down to the 12 Apostles.
Looking in the other direction at the 12 Apostles lookout
A post about photography locations in Victoria wouldn’t be right without a mention of the iconic 12 Apostles (or 8 if you’re counting!). The 12 Apostles needs no introduction and is one of the most popular photography locations in Victoria.
With the popularity of the 12 Apostles, my best advice would be to photograph it on sunrise to avoid the crowds. There’ll still be a few people about who you may have to share the same vantage point with but it’s much more tolerable than during the day or sunset when it’s busy with tourists.
The 12 Apostles can be quite limiting to photograph with access restricted to the viewing platform only with no beach access. This still gives you a couple of options which are best explored on a sunrise when you have more free reign and aren’t battling others for space.
[box type=”info” size=”large”]Travelling to Tasmania and looking for locations to photograph? I’ve developed a similar post ‘Photography locations in Tasmania‘[/box]
Gibson Steps marks the first major sightseeing stop as you venture down the Great Ocean Road to Port Campbell. Arriving at Gibson Steps you have the option of photographing from the lookout or continue walking down the 86 step staircase which allows you to get up close and personal.
There’s something to be said about how special Gibson Steps is when you’re at sea level looking up. The sheer size of the two rock stacks (No joke, named Gog and Magog in case you’re wondering…) are awe inspiring up close. Better yet, the location is much more quieter than the 12 Apostles and you’re bound to find a nice secluded spot to take some photos on the beach whether it be at sunrise or sunset.
Just a further 3-5 minutes drive from the 12 Apostles, Loch Ard Gorge offers photographers another great variety of options for seascape photography. Whether it be the blowholes, tall limestone cliffs or offshore rock stacks, Loch Ard Gorge provides plenty of opportunities. Your best to use the open access to the cove (as photographed above) to your advantage and shoot Loch Ard Gorge at sea level. If this isn’t doing much for you, wander back up to the cliffs for views of the cove.
Located a further 25 minutes down the road from the 12 Apostles, The Bay of Martyrs offers spectacular views of the towering rock stacks located out to sea and surrounding limestone cliffs.
While perhaps not an opinion shared by all, the Bay of Martyrs is the highlight for me along the Great Ocean Road. I love how quiet The Bay of Martyrs is compared to other parts of the Great Ocean Road especially around sunset or sunrise where you can often find yourself the only one there.
As the area gets pumped with a lot of swell, the rock stacks and limestone cliffs look great at differing exposure speeds, whether that be a short burst to capture the aggression of the waves or a long exposure to capture the movement of a longer period.
You’re bound to get something unique and different in your Great Ocean Road trip compared to others who focus too heavily on popular locations like the 12 Apostles, Gibson Steps and Lochard Gorge.
Phillip Island
When I think of places in Victoria that I need to explore more of, Phillip Island quickly comes to mind. I’ve only touched the surface with the Pinnacles and Cat Bay but there are plenty more on offer with Phillip Island being home to some decent surf locations which always lend themselves to be decent locations for seascape photographers.
[box type=”info” size=”large” style=”rounded”]When photographing scenes like these where the light can be constantly changing, I’ll often use the Auto Exposure Bracketing tool to help me get the right exposure[/box]
When I think of some of the best coastal locations I’ve photographed, The Pinnacles at Cape Woolamai is a location which quickly come to mind. The Pinnacles are located at the end of Cape Woolamai (roughly a 4km~ walk from the carpark) and then an awkward descent from the lookout.
When planning your trip to The Pinnacles – be prepared!
The steep descent into The Pinnacles from the lookout is down a rough track with no steps. It’s not dangerous but please take your time.
Again, coming out in the dark can be interesting. If you’re not confident with your level of fitness then maybe skip The Pinnacles for another time. There’s some other great locations in the Phillip Island area and who knows – Maybe the walk down might be improved one day.
If you’re looking to make the walk down to the Pinnacles I’d recommend throwing a head torch in your bag (using a mobile phone as a light isn’t so fun), a warm jacket (it can get quite breezy down there) and a pair of walking shoes with good grip for walking over the wet rocks as the odd rock will move around.
Once you’re down at the sea level, there are a few options to photograph from including a nice wide shot of the cove, looking left to the Pinnacles of the other rock formations or my favourite, the sun setting above The Pinnacles.
Located close to the Western end of Phillip Island, Cat Bay is a popular spot for surfers with its reef and beach breaks. When a location is popular with surfers this is always a good indication that the location could also be good for photography. Sometimes I’ll trawl through surfing websites trying to find different surf locations in the hope that they may translate into a good seascape photography location.
Luckily Cat Bay is one of those surfing locations that also make a great spot for seascape photographs. The sand pylyons combined with some swell make for some interesting long exposures on sunset.
Just a word of warning as this is something which caught me off guard – The area closes around the last light (sunset) to make way for the penguins and other animals entering the area. I over extended my welcome when taking the above photograph and was promptly booted by a ranger with his mega phone and car horn. Don’t be like me and forget to read the signs. Follow the rules 🙂
Located at Bore Beach, San Remo, Cadillac Canyon is located at the end of the beach and provides photographers with unique compositions not commonly found at other locations in the area.
There’s a few different compositions to be had when shooting Cadillac Canyon including:
At the end of the beach looking through the rock channel as waves come through (as above)
At the end of the beach looking back towards the beach and making use of the different rocks available for your composition
Climbing up the hill for some ocean views from above
While not located on Phillip Island but on the way at least, Tenby Point is a popular spot for photographers with its beautiful mangrove trees and old jetty ruins in the area. The location works perfectly for long exposure photography to capture the still water and cloud passing overhead.
Facing west, Tenby Point is best suited as a sunset location but can work on sunrise provided you get enough colour in the sky.
Country Victoria / Other
Moving from Tasmania to Melbourne, country Victoria was not an area I initially gave much attention to but boy was I wrong. The area ended up becoming a surprise package for me and I’ve spent many hours getting out and exploring Victoria’s lush country scenes. From huts reminiscent of The Man From Snowy River to giant trees surrounded in fog, country Victoria is a vast place to photograph with much on offer.
It’s worth noting that the ski season starts in early June and finishes in early October so your access in some the major snow mountains and the surroundings will be limited during this time.
Queenscliff Pier was built in the late 1800’s and is one of Victoria’s most iconic piers. Luckily the pier also makes a great location for photographers due to the long sprawling nature of the pier.
There’s a few different ways you can shoot the pier including:
Looking down towards the end of the jetty (as per the right image)
Side on (as above) capturing the waves rushing through the pier onto the beach
I almost didn’t include Mansfield in this list as it’s more of a tourist town and not a photography location but then I remembered some of the photos I captured when spending in the area a few years ago now and couldn’t resist. Mansfield is ideally situated in the foothills of the Great Dividing Range and is surrounded by some of Victoria’s most stunning mountains including Mount Buller.
What I love about Mansfield is that it’s so close to some great locations including the Howqua Valley as below, Craig’s Hut (made famous by The Man from Snowy River) and ridiculiously dark skies that are perfect for anyone chasing photographs of the milky way.
The Howqua Valley was an area that I came across by luck one foggy and overcast day when I drove to Mansfield only to find the ski season had started the week before and access to the mountains had closed.
Driving along the Howqua Valley, you’re surrounded by beautiful streams as far as the eye can see. We spent the better part of half a day taking it slow through the valley and photographing the streams which are surrounded by a stunning green foliage. A must visit for anyone who enjoys getting their feet wet and photographing water streams.
We ventured to Paradise Falls when spending a few days in Mansfield and were looking for somewhere off the beaten track to take some photos. Located in the King Valley, Paradise Falls doesn’t get a huge amount of water flowing down but the drop makes it worth a visit.
I’ve only been to Snobs Creek Falls just the once in unfavorable conditions (lots of harsh sunlight and shadows). The waterfall is quite spectacular with the viewing platform being fixed to the rock face allowing you to get up close with the large flow of water that makes its way down from Snobs Creek.
For me the highlight of Snobs Creek Falls was more the streams before the main waterfall which provide a nice opportunity to get your feet wet and capture some long exposures of the water as it travels down the mountain. We were unlucky the day with the weather not working in our favour but I’d love to get back one day and photograph the streams under the right light. Combine a nice overcast light with the vibrant rain forest surrounds and you would be able to kill a morning photographing around the area.
One of Victoria’s best waterfalls, Trentham Falls is one hour from Melbourne and conveniently located near the picturesque town of Daylesford.
Trentham Falls measures the longest single drop in Victoria coming in at 32 metres which makes it a great waterfall to photograph. The surrounding yellow and moss covered rocks that surround the waterfall add an interesting pop of colour to the scene.
This waterfall is best photographed in winter when there has been some rainfall however there can still be a trickle to be had during the warmer months in summer.
Feeding in from the Great Dividing Range (one of Victoria’s main mountain ranges) allows the Toorongo River to have a consistent amount flow of water year round.
It would be remiss of me not to include the Toorongo River in this Victoria photography location guide with the many different composition options available with this beautiful river.
The river forms part of the 2.2km loop walk which covers both Toorongo Falls and Ampitheatre Falls. At various parts of the loop there are great opportunities to stop and take a photo of the river. The above and photo to the right show the diverse opportunities available as you make your way to the main waterfalls.
Toorongo Falls has a drop of around 25-30 meters and is surrounded by beautiful green ferns and fallen logs which make this a beautiful waterfall to stop and photograph. Similar to other rivers and waterfalls in the area, Toorongo Falls has a decent flow of water year round thanks to the Great Dividing Range attracting rainfall.
The waterfall forms part of the Toorongo and Ampitheatre Falls walk loop.
Like the above River and Falls, Ampitheatre Falls forms part of the Toorongo and Amphitheatre Falls Loop Walk and is at the start or end of the loop depending on which way you start the walk.
The above photograph was captured from the Ampitheatre Falls viewing platform. Trying to get other angles of the falls can be quite restrictive due to the difficulty in getting down to the water level. With that said the viewing platform was good enough for me! 🙂
Yarra Ranges
The Yarra Ranges is host to some of Victoria’s most stunning waterfalls and the giant mountain ash tree which is one of the tallest tree species in the world.
One thing I love about the Yarra Ranges is that its also host to some great vineyards and restaurants which makes it an easy sell if travelling down here with someone that isn’t into photography like your husband or wife 😉 Some bribery with lunch on the way back has always helped my excuse to visit the area on an early Saturday morning 😉
Steavenson Falls is located in Marysville, Victoria, a town that made headlines with the devastating Black Saturday bushfires that ravaged the town in 2009 taking 45 lives with around 90% of the town’s buildings being demolished. Since 2009, the town has slowly developed itself back to what it once was – a booming tourist town with great pies! If you’re ever in the area on a cold wintery day and craving some warm food, the bakery is a must stop for a quick pie and coffee. Gets me hungry just writing about it 😉
I’ve only photographed Steavenson Falls the once, a year after the Black Saturday bushfires so much of the infrastructure was only just being re-built (i.e. viewing platform and tracks) so I’m sure a lot has changed since my visit way back in 2010!
The waterfall itself very picterusque for photographs with its five cascades and a clear drop of 21 (just a little under Trentham Falls at 32 metres). The waterfall is consistent all year around and always has a steady stream of water flowing. A must visit if you’re in the area on a wintery day and looking for somewhere to photograph under the grey skies.
Located 90 minutes from the Melbourne CBD, Rainforest Gallery is one of my favourite places to photograph waterfalls when there’s been plenty of rain in the area. The location provides plenty of different compositions as you make your way down the river path.
Rainforest Gallery is best photographed in either gumboots or fishing waders as this allows you to get nice and close to the action. The photos in these posts were both taken knee deep in water and only possible with some $40 waders from Anaconda or would have been a cold one otherwise..!
As you make your way into Marysville to photograph Steavenson Falls, why not throw in a quick detour and photograph Cora Lynn Falls while you’re in the area? To be honest I wouldn’t plan a day out of driving just to photograph Cora Lynn Falls but but it makes an ideal spot to add as part of your itinerary if travelling to Steavenson Falls.
The waterfall is shrouded by ferns and moss-covered trees so it’s not the most open waterfall you’ll come across in your travels. If you dig deep and walk along the front like the photo above, you can get quite a good front facing angle of the waterfall without the clutter.
Taggerty Falls forms part of the Beeches Rainforest Walk and is a beautiful river that runs for around 1 km. The river runs through some stunning rain forest and provides plenty of unique angles for anyone prepared to get their feet wet just mind the leeches.
The highlight for me is a pedestrian bridge (as above) that crosses the river which makes a great composition!
Located just over an hour from Melbourne, Warburton is a beautiful part of Victoria with its stunning California Redwoods (as pictured above) and streams that run down Cement Creek. A beautiful part of Victoria and well worth a visit.
When I think of the Yarra Valley, I think of Healsville and the drive towards the dense forests of the Black Spur towards Marysville. When you combine the giant trees blanketed in thick fog during winter, this makes Healesville a beautiful place to get your foggy photography fix.
One of my personal favourite photographs of me standing amidst the towering trees in a sea of fog (as above) was taken here. This was just one of the many spots you can find to photograph in the area.
View all these locations in Google Maps
To make life easier for you, I’ve gone ahead and dropped all these locations as pins into a map which you’re free to use. Putting the map together it quickly dawned on me that I’ve actually not shot much of Victoria at all when you look at it all on a map! So much still to see 🙂
How to stay in touch
This isn’t the end and I’ll be hoping to add more locations to this over time. I’d love to hear from you with your location suggestions so if you feel that there is something missing from here be sure to send it through as I’d love to add it to my list.
I hope this post was useful for you. Feel free to share this post on your website or social media 🙂
Don’t forget to subscribe to my blog for updates to this post plus more landscape and long exposure photography articles.
What draws me into landscape photography is the solitary moments where it is just you, nature and for the most part, silence. Photography for me has never been about taking photos to share on social media but the journey in getting there. Those long trips listening to music, the silence and the time to think. It takes away the pressure of taking ‘nice photos’ and shifts the focus to enjoying the surroundings. With this in mind, when the golden light hit, I’m not madly scrambling around with my stop watch counting down until the light disappears but just taking it in and enjoying it.
As much as I enjoy the quiet times of shooting solo, I also enjoy getting out there with others because really, who enjoys the solo long walk back to your car or tent in dark? Not this guy…
Through photography I’ve been fortunate to meet people from all walks of life who I’ve learnt from, exchanged laughs with and who I now call good friends. One of those people is Jon Sander who like me, moved from Perth and set up a base in Melbourne many moons ago. The great thing about meeting people who aren’t born and bred in Melbourne is that they don’t take Melbourne for granted. They come to Melbourne craving what their home can’t provide. For me coming from Tasmania, it wasn’t the nature calling but Melbourne had me hooked with its concrete jungle and constant flurry of people and traffic. Shooting with Jon over the years has been fun as we’ve viewed Melbourne through a different lens (terrible pun) and tried to avoid shooting just the popular locations.
Planning a trip from Melbourne to Perth
Jon had flagged for a while that he was looking to move back to Perth towards the end of 2016 so we were keen to have one epic shoot before he moved back. So why not a roadtrip from Melbourne to Perth? With both having limited time to plan, we decided to take a gamble and base our itinerary on what looked good on Google Earth. We didn’t venture on Instagram, 500px or other social media’s to source the popular places to visit along the Nullabor. Why? Becuase, when going somewhere new, it’s nice to go in with a fresh set of eyes. If it looked good on Google Earth, we were going there. Was every spot we chose picture perfect for photos? I’ll let you be the judge. Was it a great adventure? Yes!
Melbourne to Perth Itinerary
Having shot a lot of Victoria, we umm’d and ahh’d whether to make a stop by the Great Ocean Road or the Grampians on the way out of Victoria. Knowing that both can be done on a weekend trip we opted to make a crossing straight into South Australia and visit some less travelled
Our ‘little trip’ from Melbourne to Perth
Looking to spend more time in South Australia, our itinerary wasn’t set in stone with the idea being that we could change locations if they didn’t quite work out (or alternatively if we wanted to spend longer somewhere).
Eventually our final itinerary looked like this with some epic days of driving where locations didn’t work quite well. Eucla to Alexander Bay was a last minute decision which meant we arrived around 12am in the morning. But where we did do a lot of driving, it also created some fat where we could enjoy relaxing days at Sceale Bay and Alexander Bay.
Day 1 – Melbourne to Victor Harbour, SA (8hr – 746km)
Day 2 – Victor Harbour, SA to Flinders Ranges, SA (6.5hr – 547km)
Day 3 – Flinders Ranges, SA to Pimba, SA (4hr – 343km)
Day 4 – Pimba, SA to Sceale Bay, SA (6hr – 588km)
Day 5 – Sceale Bay
Day 6 – Sceale Bay, SA to Eucla, WA (6.5hr – 629km)
Day 7 – Eucla, WA to Alexander Bay WA (10hr – 1,000km)
Day 8 – Alexander Bay, WA
Day 9 – Alexander Bay, WA to Perth (8.3hr – 805km)
It’s funny, when I was telling people about the trip, most looked at me and told me how terribly boring it would be. Not at all. In fact, I would probably do it again but first I need to convince the other half on the idea of buying a camper van 😉
The ever spacious Hotel Wise
If we were to do the trip again, I would add another day or two to the trip and spend some more time in Sceale Bay and Alexander Bay. We didn’t build enough fat in on the last day so it was a bit of a mad scramble to shoot the sunrise at 5am and make it to the airport before my 5pm flight. Luckily Western Australians haven’t jumped on the bandwagon for daylight savings which meant we were up and out of Alexander Bay by 7.
What to take?
Planning for a drive like this obviously depends on person to person and how they are planning to tackle it, especially when it comes to everyday comforts.
For us, we had no qualms with camping for nearly all of the trip, which meant we had to pack more food, cooking equipment, warm clothes and enough batteries to power a small town, but in a way this worked in our favour as we were equipped to go further off the beaten track. For some locations like the salt flats out from Pimba, SA or Alexander Bay, WA, accommodation was non existent. If we had been staying in accommodation we probably wouldn’t have ventured as far.
We took standard items like tents, a table, cooker, etc but there are some things that we would have been lost without:
What carried me through our trip – Aeropress.
Headtorches and Eneloop batteries – A no brainer when you’re camping and need a good source of light and batteries which are reliable under all conditions.
Aeropress – Worry no more when you’re in the middle of nowhere and craving a nice coffee. The Aeropress and a hand grinder served us well over the 9 days.
Roof tarpaulin – Be ready for all conditions whether that be hot sun or wet conditions with a tarpaulin.
Logitech bluetooth speaker – Having a portable bluetooth speaker which can be charged while driving was a huge plus on our trip. We used this of a night and would charge it the next day while driving. The best part about the Logitech speaker is that its puts out decent sound for its price.
Steel wool – For those times when you don’t have stunning milky way stars above you, playing around with steel wool can be almost just as good. I put together a guide on how to use steel wool which might be of interest.
Car tyre pump – Driving on sand can cause you all sorts of headaches (more on that shortly…) so having something to quickly drop the pressure down when you get on sand was a life saver. We may have only worked it out after we managed to get bogged but it was reassuring having this in the boot.
Xiaomi power bank – If you’re going anywhere and know your access to power points will be patchy, invest in a power bank. I recommend the Xiaomi, only as I picked one up on Ozbargain for a good price but really, everyone makes power banks these days so you shouldn’t have any troubles finding one
Blitzwolf 4 port car charger – A must if you’re travelling with someone else and needing to charge phones, head torches, powerbanks, etc. The great thing about the Blitzwolf is that it comes with a fast charging technology for those rocking phones that can take advantage of it (not me unfortunately on my iPhone :()
[box size=”large”]Curious about what photography equipment I’d recommend for a trip like this? Be sure to give my landscape photography gear guide a read![/box]
Melbourne to Sceale Bay
Victor Harbour
Walking out to Granite Island in Victor Harbour, SA
Having photographed Melbourne quite extensively we were quite keen to make the most of our time in South Australia so we made a dash for the border and made it to the stunning Victor Harbour.
After arriving late and setting ourselves up in the early morning, we weren’t exactly flying out of bed a few hours later for the sunrise. Missing the first half of the sunrise, we made it just in time to photograph Granite Island which is a small island accessible by a pedestrian crossing off Victor Harbour. Unfortunately we were on the move again not long after sunrise otherwise I would have loved to explore it more.
Some of the many roadside fields as we passed through South AustraliaQuick stop at the Flinders Ranges
Flinders Ranges
Loaded up on coffee we headed inland to the Flinders Ranges to what I could only describe as some of the most red and picturesque Australian rural scenes that you will find south of the Northern Territory. Wow.
As the trip to the Flinders Ranges was a detour, we only spent a night here but we easily could have spent another few more days exploring. If making a similar trip, I’d recommend adding an extra day to the trip to explore the Flinders Ranges.
Afternoon roll through the Flinders RangesLast light at the Flinders Ranges, SAPretty backroads galore in the Flinders RangesRazorback Lookout in the Flinders RangesAfternoon light over a pocket of stunning purple flowers (solanum quadriloculatum)We were blessed with warm weather the whole trip but my goodness it got cold at night in the Flinders Ranges.Clear skies and stars. Happy Wise
This applies to the whole drive from Melbourne to Perth, but if driving at night time in the Flinders Ranges, be especially cautious of animals crossing at night time. We saw a lot of wildlife on our trip but the Flinders Ranges was something else.
Pimba Salt Lakes
Camping at Pimba. Very much off the grid.
One thing we were both keen to explore as we crossed from South Australia into Western Australia, was a a salt lake or two. After deciding that Lake Eyre was a bit too much of a detour (good decision in hindsight…) we headed towards Woomera, South Australia. Without realising, we were on the cusp of the biggest military land-based weapons area in the world. As we detoured further and further, we eventually came across Lake Hart and set up camp for the night.
Some of the salt lakes on the way to Pimba were stunning.Lazy afternoons by a salt lake in South Australia.Last light over Lake Hart, South AustraliaFeeling tiny on the vast Lake Hart salt lake.Falling asleep under the milkyway then waking up to golden hour light wasn’t too bad…!
Camping at Lake Hart was the highlight of our drive from Melbourne to Perth. We drove past a few salt lakes on the way to Lake Hart with most being inaccessible. With the sun starting to disappear, we struck gold when we found a quiet camping spot directly off the salt lake which gave us a nice base as we photographed the sunset and milky way over the vast salt flats. It was well worth the detour even if we only made it back to Port Augusta with 3 litres of petrol…
This photo sums up nicely why I enjoyed camping at Lake Hart, SA. What an amazing place.Standing under the milkyway at Lake Hart, SA
Sceale Bay, SA to Alexander Bay, WA
Sceale Bay
Not a bad spot to park…
As mentioned in the start of the post (great that you’re still reading!) we took the gamble and planned a lot of the trip based on what looked nice from Google Earth. One place that really stood out was the area between Sceale Bay to Fowlers Bay. From Google Earth we could see some nice rocky outcrops and swell lines so were keen to explore the area for a night.
I’m not sure whether we were on a high after making it back to Port Augusta on 3 litres of petrol or seeing coastline for the first time since Victor Harbour, but it wasn’t a hard decision to spend another night around Sceale Bay recharging batteries and getting some much needed sleep. Sceale Bay is a hidden gem tucked away from the main road of Streaky Bay with a small local population mostly filled with beach houses. Being there on a week day, it was a ghost town which was perfect as there was not a sole in sight.
[box size=”large”]Interested in photographing long exposures but stuck for ideas? Give my long exposure photography idea’s post a try.[/box]
Sunset at Heart Bay, South Australia
We stayed in a beach house owned by a local who lived next door. He was a legand, giving us the run down on which locations were good to explore and access to private property. Seriously, how pretty is this path and surf around the area? A stunning part of Australia which I’d love to get back to one day. If only the drive wasn’t so far from Melbourne!
Looking out over Heart Bay, South AustraliaLast light at Heart Bay. I love this vantage point and wish I could have done it more justice…
Our visit to Sceale Bay wasn’t without a little bit of drama… Getting bogged at 11 o’clock at night when you don’t have any phone reception isn’t the greatest feeling (video for anyone curious). Fortunately, Peter, the owner of where we were staying at Sceales Beach House, came and pulled us out of the dunes at an ungodly hour and we eventually made it home in the early hours… In other words, he showed us how to be men.
Waiting for help to arrive while enjoying the milkyway at Sceale Bay, SAFirst light at Speed Point, Yanerbie, SA
Eucla, WA
Standing between the border of South and West Australia
After spending a relaxing couple of days In Sceale Bay, we made the long journey along the Nullarbor towards the border with a night in Eucla. Honestly, we were expecting Eucla to be disappointing and just a border/truck stop town but we were pleasantly surprised with plenty of opportunies to photograph for the night such as old old jetty ruins on the beach at sunset and the Eucla Telegraph Station for milky way photos.
Jetty ruins at Eucla Beach, WA.Eucla Telegraph Station
Alexander Bay
It wasn’t all driving to Perth with some lazy afternoons spent with a book by the sea.
Leaving Eucla on the Friday we thought driving to Alexander Bay was a bit ambitious (1,000km / 10 hrs) so decided to head to Fraser Range (600km / 6 hrs) to photograph some salt lakes and find somewhere off the beaten track to camp.
Arriving at Fraser Range on sunset, we had a bit of a dilemma… Feeling uninspired we had to decide: Do we photograph the Fraser Range salt lakes and get an early night or continue driving well into the night and make it to Alexander Bay? All thoughts were going through our heads, what if we get got to Alexander Bay and there weren’t any camping sites being a Friday night? What if there’s no phone reception there and we get lost? What about all the wildlife about after dark? Or let me just ask the question you’re probably thinking, why do you guys procrastinate so much? Yeah, good question.
We headed off towards Alexander Bay but not before stopping for dinner at a truck stop that would make an ideal setting if they were to make another Wolf Creek movie… We finally made it to Alexander Bay in the early morning finding a nice camping spot near the beach.
Alexander Bay is a further 85km east of Esperance and is well worth the detour if you’re looking to get away from the tourists of Esperance and enjoy some of this beautiful coastline to yourself. The drive into Alexander Bay is quite scenic making a nice scene at night time under the milkyway. The coastline itself is beautiful and very reminiscent of the Bay of Fires on the Tasmanian east coast which left me feeling a little homesick. This, combined with the warm weather, made for a great way to finish up our drive to Perth.
Early morning sun beams poking through at Alexander Bay, WALove the glow that comes with the first light @ Alexander Bay, EsperanceThe blue hues of Alexander Bay, Esperance. An amazing place.Getting a little too close for comfort at Alexander Bay, WAI could explore the stunning Esperance coastline for a week and not get bored. Even with a wet back from the previous photo 😉We survived 9 days without rain… Luckily on our last night.When the rain came… It poured but it was a welcome change from the clear blue skies we’d had all trip.Post trip highs.
After a weekend in Alexander Bay that brought an end to our trip. If we had our time again, we would have spent more time exploring the surrounding bays but Alexander Bay had more than enough to keep us busy for a weekend. I would love to come back to the area with a campervan spending a week slowly exploring around the area with differing weather conditions. There’s so much potential around the area from Alexander Bay to Cape Le Grand National Park and Israelite Bay which I’d love to get to one day… One day!
Thanks for reading this post. It ended up becoming longer and more picture heavy than I originally planned. Sorry! Hopefully it’s given you some inspiration to the places you can see if you’re planning a trip across the Nullarbor. Would love to do it again one day 🙂
If you’re thinking of making a similar trip or have any inquiries about licensing or how photos in this post were taken, I always love to hear from people and can be reached by the contact page or social media.
